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It blends them into one seamless shot that always stays trained on the center of motion. Once you’ve recorded the Bullet Time shot, the camera’s companion app uses an advanced stitching algorithm to compose both of the images captured by the dual fish-eye lenses. This means you don’t need to use any additional stabilizing equipment like a gimbal, like you would with traditional cameras. Firstly, the camera’s built-in six-axis stabilization keeps the footage smooth, even as centrifugal forces cause unpredictable vibrations as you move the camera. Advanced stabilization and stitching algorithmsįor the user, creating a bullet time effect with the ONE R or X is simple, but from a technical standpoint, it’s anything but.Ī number of advanced technologies come together to achieve the bullet time effect. That’s it! When you import your clips into the app, the selfie stick will appear invisible and you’ll get a dramatic slow-mo effect. Keeping the camera as parallel to the ground as possible, aim for about one rotation per second. To shoot, all you need to do is switch to Bullet Time mode in the camera settings, start recording and swing the selfie stick overhead in a level and smooth circular motion. If you’re using Insta360 ONE R, be sure to use the Dual-Lens 360 Mod, as you must shoot in 360 degrees for this shot. Meanwhile, the cord offers more creative angles and the ability to swing the camera vertically. The handle, which also doubles as a tripod, provides you with a sturdy grip and helps ensure the selfie stick remains parallel to the ground. To take a Bullet Time shot with an Insta360 ONE Series camera, you’ll need a selfie stick and the Bullet Time Handle or the Bullet Time Cord. How the Bullet Time effect works with an Insta360 One Series camera

The cameras fired off in sequence, circling a flailing Keanu Reeves, after which every still image was painstakingly interpolated to create a fluid effect.īut now with a 360 camera and its built-in advanced stabilization algorithms, you can pull off the Bullet Time effect in seconds. When the Wachowskis were filming the Bullet Time shot for The Matrix in 1998, they rung hundreds of still cameras in their studio.

The effect allows the audience to see high speed movements, such as flying bullets, that would be too fast to see otherwise. “Bullet Time” typically refers to a visual effect used to slow down time during an action scene and pan around a subject.